ok I'm lazy but this is coming .. recycling and good luck!
2011 Dear Woe to you
friend Farms,
do not send the usual greeting (you'll have me as your mailbox clogged), but a simple and heartfelt THANK YOU for giving us some way involved in your activities, work or play it.
Thank you innovative ideas Farms Fiandino (Salted butter Italian ... crazy, Great kinara ... and those who had never managed before?) Were taken by surprise in 2010 that heralded this gray and sad. We now expect a 2011 color, perhaps not many, maybe not brilliant, but definitely alive and vibrant shades with great confidence. Here! The magic word of 2011 is CONFIDENCE. CONFIDENCE in their own ability, confidence in the eyes of others, confidence in the future. So we feel we can promise and guarantee, thanks to you, a great immense confidence.
A cap that jumps, a smile, a toast ... Dear 2011 that are coming, in a year will pull the money and woe betide you if you have disappointed our expectations and our confidence.
I n a post Beer Chronicles , where he announced the possible formation of a new association of brewers has finished, at some point, to discuss the price of beer. Subject matter heard and probably will never find a resolution. During several rounds of jokes have been mentioned a few times and I would reply to my little blog because I believe that I mentioned who has given an incomplete picture and reading misinterpretation of my work. The resume here in the Blog Andrea seemed dramatically OT.
here is what it says Stefano Ricci (SR) 10 years are being discussed on prices. tables on the prices he's ever talked about 100 times and no manufacturer has submitted at that table. Lelio has only recently presented a study of budget on his blog, which is a study ....
Q uello that appeared on my blog and it's just fermentobirra a small part of what is contained in the guide opening a microbrewery brewpub, where they are analyzed, albeit with many aspects that many approximations then lead to the definition of the cost of the beer business. With the current average volume of a micro-Italian, there is little hope that costs will go down. See also my thoughts intervention "video" link on the side. Unionbirrai is undertaking, among other things, a very thorough analysis of the sector. I think by mid next year we will have much more reliable data of my "estimates" of production and market, on which to develop new conjectures.
ecco cosa dice Bruno Carilli del birrificio ToccaAlMatto (il catalizzatore) Ora sembrerà che c’è l’ho con il povero Lelio Bottero (Lelio non è colpa mia) …ma se il famoso Budget che ho visto è quello di cui parli te (Fermento Birra etc…) ci sono moltissimi errori di quantificazione ed omissioni di costo….. es. ma dove stà scritto che un operaio in Italia costa ad un azienda 20.00 Euro l’anno ….ci vogliono almeno 32.000 Euro l’anno (minimo salariale)…e parlo di costo per l’azienda (all’operaio andrano più o meno 17.500 Euro)
Q ui think enough to read a minimum of attention that we are not talking about workers but "partners". The € 20 thousand years are intended as reimbursement "administrator" which will add any dividend earnings. I specifically included a figure so "modest" (net of taxes and social expenditure is less than € 1000 per month) to reach a breakeven point aligned with the national average production (estimated) and to understand that by aspiring brewers 500hl/anno we do not make money, but barely bell. The other omissions and metrics would like to have an outline of what I know to have done some simplifications and approximations (and I speak also in various articles), but I feel totally insignificant to the statements and the main purpose of which, remember, is to understand where you place the hypothetical break-even point of a microbrewery. Are available, and who writes me long emails well knows, to discuss and review every single line of that business plan, which "tailor made" on broad range of situations, it is still proving to be a streamlined and reliable business tool, a thousand € € less than one thousand. Then, as someone else has written is the 730 that makes the difference!
CTRL presents DOES IT Offend You, Yeah? Live at the Artists' Club
CTRL Lose Control and Loose Habit , have Does It Offend You, Yeah? live at Circle of Artists. On January 6, you have a special event to mark the first birthday of CTRL. A unique opportunity to celebrate a season full of satisfaction and incredible evening with the band Electro / Punk / NewRave Reading and 3Untitled djs. After the concert, of course, the party will continue with the crew of DJs CTRL.
I Does It Offend You, Yeah?
I Does It Offend You, Yeah? are an electro-rock band from Reading. The band consists of James Rushent (vocals, bass), Dan Coop (synths), Morgan Quaintance (vocals, synths, guitar) and Rob Bloomfield (drums). The group has been compared to artists in the dance scene such as Daft Punk, the Justice, and the British magazine NME has likened them to Muse. The peculiarity of the group's live performances in the strong, harsh, often accompanied by destruction of the instruments. The band revealed the origins del proprio nome durante un’intervista con la NME: Dan Coop ha spiegato che il nome deriva da una frase che David Brant pronuncia durante una scena della sitcom inglese The Office. Il loro album di esordio ‘You Have No Idea What You’re Getting Yourself Into’ è uscito nel marzo 2008 ed è in produzione limitata, nel 2010 è invece stato pubblicato il secondo album della band: ‘Don’t Say We Didn’t Warn You’.
CTRL lose control presents Does It Offend You, Yeah? Thursday, January 6, 2011 movement of artists, Casilina Via Vecchia 42, Rome Doors h. 20.30 - Concerto h. 21:30 Botteghino € 10 - Pre-8 + € 1.50 (DP )
OPENING ACT: 3Untitled Djs DJset by CTRL (ELECTRO, NUWAVE, INDIEROCK) ddp Dj, Dj Skalibur , Supermarket, Dj Yakuza
Thursday 16 December to Mads will be guests of the CTRL TAVRVS the electro duo Roman, who recently released their first EP with mozzarella RECORDINGS. Exclusive to our blog, Nicholas Countess spoke to us about how did the group, through musical influence and curiosity, not forgetting some small preview of the future work with an eye to the Italian electronic scene.
Interview by Di Palma Danielantonio
Vittorio Santoro (left) and Countess Nicholas (right)
We are in 2005, the year in which two young Romans are known and appear to play the trumpet and bass, respectively, in a band called The Routine. And 'where, three years ahead, the groundwork is laid for the emergence of Tavrvs.
Nicholas Contessa: The Experience of Routine basically taught us how to make music e! At that time many new sounds were coming from abroad that intrigued us, and we decided to abandon the guitar and try to use synthesizers. The result has evolved over time, and me and Vittorio TAVRVS were born, while Gabriel (the other element of the group) continued with a songwriting project ( http://myspace.com/gabrielemili ) that we love so much and with whom we continue to work in other forms.
Today your music sounds very much influenced by the French Touch, Electro, Funk and Disco 70's, with some reference to the likes of MSTRKRFT and Justice. How did you develop your sound?
spending hours and hours in the studio! We tried to figure out how to reproduce the sounds that we liked, and in what directions we could push for renderli più personali. Le nostre influenze comprendono senza dubbio quelle che hai citato, ma ci tengo a citare il funk italiano anni '70, a cui rendiamo omaggio durante i live con il nostro edit/remix di Lunedicinema del grande Lucio Dalla . Inoltre è stato fondamentale iniziare a fare parecchie serate nei club, stando davvero attenti a capire cosa funziona sul floor e cosa funziona meno.
Quindi molti club, tanti live nelle serate di maggior richiamo, ma anche una prestigiosa partecipazione all'Elettrowave di Arezzo del 2009 in cui avete raggiunto le finali.
L'esperienza di Elettrowave è stata fondamentale perché è arrivata when we started a few months, we were immediately confronted with quite large areas and at the same time we received a confirmation that we were going in the right direction. At first we were so embarrassed that when we made the first selections in Reggio Emilia, we had dinner with 2manydjs but we were too scared to ask them to speak and we have not even said goodbye! Fortunately, going back and we knew what we were doing was perhaps not just be thrown out.
2manydjs addition to that you just mentioned, have shared the stage with other international artists like Fischerspooner, Kap Bambino, Tiefschwarz, Man Like Me, Transformer. What is meant for you?
We liked to receive in most cases a good positive feedback, both from the group to play and audiences. Playing with the more established names, you always fear that the public is a bit 'biased against of the opening act, but fortunately in our experience this has never happened, but often the opposite has occurred!
Last September he released your first EP "Extended Play" with the tag MOZZARELLA RECORDINGS.
We met Francis (French, Frank Agrario) of Mozzarella Recordings already at the time of the routine, called us to play when we had never set foot outside of Rome. We found that our tastes were very similar. We continued to feel over the years and when we arrived with TAVRVS to have a little 'material that convinces us, we did hear him and we immediately offered to release an EP! We are very happy because the label's aesthetic very much in line with the sound we love, we could not ask for anything better for the first official release. The songs sum up a bit 'all the way we have done in recent years: the love for the sampling 70s, funk bass lines and a good dose of distortion to add a dimension to rock the dancefloor.
Tavrvs (Photo by Enrica Mistretta)
you think the electronic scene in Rome and Italy in general is ripe for this music? Do you think that artists like Crookers and Bloody Beetroots have helped to bring the public closer to the electronics and to reduce the gap with reality, such as France where the electronics produces an impressive number of productions and artists?
Undoubtedly
Crookers and Bloody Beetroots, beyond the personal evaluation that you can have on them, have given the impetus to put Italy the center of the global electronic scene. We hope that this is not an isolated phenomenon but in their wake many other names fail to emerge at international level (as is already happening) then I do not think we really have nothing to envy to France or Germany.
In this regard, the interview made to Constantin Louis, leader of Discofunken, at the previous event weblog CTRL Mads alluded to the desire (and ability) to create something that could evoke in Rome in many ways as a label KITSUNÉ 'and ED BANGER (see the French case) with the intent to join forces from a primarily artistic point of view.
In fact one of the problems of Italian artists, in my view, is that they often fail to combine forces, as they have learned abroad to do for many years. Looking around, if only in Rome, you see a lot of really good, I am convinced that fruitful cooperation we can achieve very important goals. So we basically can not wait!
still picture of Nicholas and Victor during a live
I can not stress that this idea of \u200b\u200borganization expanded to more artists you would already prepared having regard to your attitude towards cooperation with other organizations to review and songs from other bands to remix the case with, for example, de Monsters and Masoko.
Exactly! We have always tried to be open to the exterior, having relations with foreign groups, but without forgetting that the band had around the corner! When we received proposals for the remix, also by bands who come from very different backgrounds as Monsters , we took the ball to show that in Rome, in fact, things are moving, often enough that there is only the will.
We expect a very busy 2011, what are you planning?
Definitely we want to go out with another EP later this year. We have several ideas in the pipeline, even at the level of remixes, but we can not say more.
With your CTRL live close to a triptych which had as guests at the Frank Sent Us Out to Black and last month the fact Discofunken. I ask you too: some surprises coming for the hot public CTRL?
Among other ideas, we planned to insert a small mention of an electro smash the last few months ... Or better to edit his 100% Italian ... But maybe I've already said too much! It was not until Thursday.
if someone wanted to deepen the domain name is available.
Years ago I recorded with a very clear idea that, when no longer be appropriate, the domain http://www.1861.it/ (year of birth of 'Italy) and now I find myself with this domain empty and unused. I am therefore looking for someone who has time and ideas to develop it, or an entrepreneur who sees a source of Business. (I a couple of the ideas we have, but I lack the skills and time to follow them). In a few mesii Sarano 150 of the foundation (Done March 17, 1861) and, especially in Turin, there will be celebrations and international events. I am here, willing to talk about it or discard it,
E 'online from today Newsletter of Unionbirrai. Edited by Tony Manzi graphics and with the collaboration of Alessandra "bad attitude" . In addition to an intervention of Simon Monetti and myself is a very interesting article by Mark Tripisciano , devoted to the beers of Christmas. Superb early online comments where my photos in Piazza del Campo in Siena was much appreciated and welcome (I would have preferred female comments, but so be satisfied) on a par with my article which covers the main activities of Unionbirrai and developments planned for 2011. The Italian craft beer is alive and its historical association, despite all the difficulties of the case, continues his work with seriousness cultural consistency and commitment.
Thank you innovative ideas Farms Fiandino (Salted butter Italian ... crazy, Great kinara ... and those who had never managed before?) Were taken by surprise in 2010 that heralded this gray and sad. We now expect 
A cap that jumps, a smile, a toast ... Dear 
